BIO:

The Elegant Clydes are three artists from San Francisco whose music emerges from the struggles and beauty of urban life. Discovering the sublime in everyday moments, our songs are triggered by faces on the subway, remnants abandoned in the streets, or the changing seasons seen in a backyard garden. The complex DNA of San Francisco inspires our rhythms and poetry. Edgy yet soulful, our contemporary urban folk sound draws elements from reggae, funk, country, and jazz. Recently, we have played established SF Bay Area venues such as Hotel Utah, The Purple Onion, and Club DeLuxe.

 

 

 



 

Betsy:

Betsy grew up singing folk songs with her mom and dad. Her first concert was Guns and Roses and Metallica’s Day on the Green when she was fifteen. To put it lightly, the show laid the initial groundwork for her career as a musician. She has always embraced a very deep passion for music and feels it’s her way of connecting with the love and chaos in this thing we call life. When she sings she feels whole. In the words of the great Ella Fitzgerald, "The only thing better than singing is more singing."

Her childhood soundtrack consists of inspirations such as Barbra Streisand, The Carpenters, The Bangles, Mama Cass, The Beatles and an array of other hip 70’s/80’s artists. The sultry voices of Ella Fitzgerald, Joni Mitchell, Jeff Buckley, Allison Krauss, Kathleen Edwards, Beth Orton and all of Broadway have been pivotal influences in Betsy’s musical development.

She embraces all of life’s challenges and uses her experiences to make the music true and heartfelt. “I like when people cry or laugh during a song; it means I’m giving them permission to express their feelings in a world that often makes it hard to feel what is real.”

Betsy loves performing and looks forward to promoting the Elegant Clydes new album, “You Get What You Ask For.” "Just don't give up trying to do what you really want to do. Where there is love and inspiration, I don't think you can go wrong."


Shavi:

Shavi Started playing guitar in eighth grade after seeing Pegasus in my head during a fever. He was shooting through the sky pushing an ocean of sound like an effortless bulldozer. When the sound grew unbearable, I awoke, jumped up, and ran naked into the street. My mom chased after me, terrified. I could hear disembodied music from somewhere.
Life became more intense and beautiful. I started listening to a lot of Sonic Youth and Velvet Underground. Also, Monk, Coltrane, and Miles Davis.

Along the way, I got inspired by Kerouac, William Carlos Williams, Poe, Camus, Etc. I subsequently got lost in Central America and wrote my first novel, “The Clickfire Machine, or, How I Became a Cicada.”
I earned a degree in music composition and, after several light brushes with death, developed a pretty okay sense of humor.

Favorite songs: “Little Wing” -Jimi Hendrix, “’Round Midnight”
-Thelonious Monk

Playlist: Digable Planets- “Blowout comb”, Miles Davis- “Bitches Brew,”
Jane’s Addiction- “Ritual de lo Habitual”
A dirty secret: I like elevator music


Dan:

Dan is originally from New York State, where he played in bands with mostly ridiculous names such as Midnight Illusion, Cry Wolf and Citrus Nightmare. In addition to rocking the bass, Dan has played clarinet and saxophone in various symphony orchestras and jazz bands and has sung with Binghamton University’s a cappella group the Rhythm Method. The blending of Colombian and Irish cultures in his family has made music a huge part of Dan’s life for as long as he can remember, and his influences run the gamut from romantic/classical (Beethoven, Stravinsky, Poulenc) to jazz (John Coltrane, Benny Goodman, Duke Ellington) to folk (Indigo Girls, Simon & Garfunkel) and all kinds of rock (R.E.M., Blur, Beatles, Green Day, Tori Amos, Pearl Jam, PJ Harvey, Gomez, Radiohead, The Flaming Lips, Foo Fighters, Travis, Wilco, and many, many more). Dan also enjoys hablando en español, teaching, traveling, and watching movies – although he’s seen one-too-many bad movie trailers.